Tom Petty died suddenly of a heart attack
on Monday. Artists ranging from Coldplay
to Paul McCartney to Chuck D of Public Enemy all paid tribute to Tom Petty and the
Heartbreakers. Ultimately, the most
crucial part of Tom Petty’s legacy is that whenever you turn on the radio and
one of his songs comes on, you know instantly that it’s Tom Petty. His
willingness to fight his record company to keep prices low for fans is also
something artists from every genre can respect him for. Another part of his legacy is that Petty knew
that in an era of synthesizers and big hair there was a whole audience that
craved rock ‘n’ roll in its purest form.
Petty was able to combine the hard edges of southern rock, the gentle
jangly guitar sound, and harmonies of sixties bands like The Byrds to create a
sound that was truly his own. Petty’s
music was pop rock that compromised none of rock’s grittiness. Tom Petty and the Heartbreakers’ third album
released in 1979, Damn the Torpedoes, epitomizes
what Tom Petty was all about.
In 1979, Petty’s recording
contract was transferred to MCA after they bought his record company from ABC
Records. As a result, MCA took control
of the publishing rights to Petty’s music.
In what would be his first, and certainly not last, rebellious incident
against his record company, Tom Petty declared bankruptcy in order to get the
contract voided. MCA ultimately relented
and renegotiated the contract in which Petty could keep his publishing rights. This allowed Petty to record a new album with
producer Jimmy Iovine at Sound City Studios and Cherokee Studios in Hollywood,
California. Iovine’s superb production
would garner much praise from critics who all agreed that the sound on this
album was a huge improvement over Petty’s previous two efforts.
Damn
the Torpedoes first two tracks contrast each other stupendously. ‘Refugee’ is all about defiance and
anger. Specifically, it’s about Petty’s
defiance and anger towards MCA for their attempt to take advantage of him. However, ‘Refugee’ wound up becoming an
anthem of sorts for male teenage angst.
‘Here Comes My Girl’ quickly changes the tone. It is a love song and all
the feelings that come with being in love for the first time. The album is off to the races after these two
songs as audiences have been introduced to the Tom Petty sound properly. The
third track, ‘Even the Losers’ is pretty self-explanatory, but that’s what
makes it so good. Even the losers get lucky sometimes. The sixth track from the album is one of
Petty’s most famous. ‘Don’t Do Me Like
That’ is a party rock song that has a chorus anybody can sing along to. The rest of the Heartbreakers on this album
are truly magnificent as well. Mike Campbell’s guitar solos and Benmont Tench’s
keyboard enhance Petty’s already strong material making them the icing on the
cake.
Tom Petty may be gone, but Damn the Torpedoes and all of his other
classic albums will live forever. In an
ever increasingly superficial industry, the simplicity and sincerity of Tom
Petty’s music will be sorely missed.
Rating:
*****
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